Water & Light, Sun & Shade
The Pacific Northwest refuses to recede. Nature here is not backdrop — it is pressure: constant, saturating, indifferent to whatever has been built across it. Rain finds the steel. Moss finds the concrete. Light moves through it all, transforming surfaces that were never designed to be beautiful into something that is.
This series lives in that transformation. The intersection of the synthetic and the biological, light and shadow, the neglected and the carefully tended. Color as atmosphere. Surface as memory. Each painting an invitation to look long enough that the boundary between reflection and the thing reflected begins to dissolve.
Aplenglow, 12" x 10"
Spring, 30" x 30"
East Madison, 30" x 24"
Evening on Elliot Bay, 36" x 48"
Poolside, 32" x 36"
Of the morning, 18"x36"
Winter Bloom, 24" x 36"
Snowfall, 44" x 33"
Gasworks Park, 36" x 24"
Arboretum, 28" x 22"
Lake's edge, 48" x 48"
Autumn Light, 48" x 15"
Elliot Bay, The Great Wheel, 30" x 40" (sold)
Elliot Bay, Early North, 46" x 40"
Black Rock City, 36" x 36"
End of Summer, 30" x 40"
Gasworks, 42" x 54"
The day before yesterday, 18" x 36"
Fire by the Sound, 32"x36".
The Great Wheel, 30" x 24"
Crescent Lake, 30"x30"
Sunset in the Park, 30" x 40"
Oakland, 48" x 48"